Apple motion 5 import image sequence free

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
‎Get Stop Motion Studio, the world’s easiest app to get you into stop motion moviemaking today! ***** As seen on Apple’s TV commercial “Life on iPad.” “Stop-motion animation is a great way to bring toys and other objects to life — and learn the basics of filmma Global Nav Open Menu Global Nav Import video clips and create. Sep 13,  · Motion-JPEG (M-JPEG) is a variant of the ISO JPEG specification for use with digital video streams. Instead of compressing an entire image into a single bitstream, Motion-JPEG compresses each video field separately, returning the resulting JPEG bitstreams consecutively in a single frame. There are two flavors of Motion-JPEG currently in use. Deep Dive: Not Your Father’s Catalog Music Streaming has made catalog music more important than ever – but the catalog that’s growing isn’t necessarily what you’d expect.
 
 

Apple Motion 5 Cookbook | Packt

 

Title Design. Tracking and Stabilization. Accelerated Filters and Effects. Masking Tools. Bezier or advanced B-spline masking tools Create ovals, rectangles, and arbitrary freehand shapes Control opacity, rounding, and edge feathering Combine masks using mathematical operations Track entire shapes or control points using tracking behaviors Create image masks from alpha, luminance, or RGB values of a second image.

Some features require Internet access; fees may apply. Industry-Standard Encoding Support. Import and export captions in CEA, iTT, and SRT formats for compatibility with a wide range of workflows and websites Import caption files into a batch or iTunes Store package View closed captions in the viewer during playback Make changes to captions including text, color, onscreen location, and timing Search text and select single or multiple captions in the inspector Support for multiple languages in the same batch or iTunes Store package Validation indicator instantly warns about common errors including caption overlaps, incorrect characters, invalid formatting, and more Embed captions in the movie file or create a closed-caption sidecar file Embed audio descriptions in MOV, MP4, M4V, and MXF video files.

Create an iTunes Store package for iTunes Store submission Add your movie, trailer, closed captions, subtitles, and audio descriptions to your iTunes Store package Media pass-through lets you use original media and bypass additional compression Audition video with any audio, caption, or subtitle to verify sync iTunes Store package preview lets you audition alternative audio, closed captions, or subtitles to verify sync and seamlessly switch between audio streams during playback Built-in error detection helps you identify issues with your iTunes Store package Use the validation interface to select an error or warning and navigate directly to the source of the issue.

Built-in Distributed Encoding. Built-in setup for distributed encoding, including My Computer sharing options Create groups of Shared Computers that can be selected on a per-batch basis for distributed encoding Advanced controls to add instances on a single computer and select the network interface, port range, and port number when sharing your computer.

Examples of timed metadata can include:. As with other tracks, each metadata sample is associated with a single timed metadata sample description. Zero, one, or many metadata values can be associated with a range of media time in the track. The accommodation for no metadata values for a time allows runs of time with metadata interspersed with runs of time with no metadata.

Because the timed metadata is organized as a track, it is also possible to use track edits to indicate the absence of metadata. For some situations, however, it would be better to include metadata samples that themselves carry no metadata values. The timed metadata sample description contains information that defines how to interpret timed metadata media samples. This sample description is based on the standard sample description header, as described in Sample Description Atoms.

The metadata sample description is a derived sample description format which describes metadata values represented in atoms. It may also include other atoms not holding metadata values.

The data format field contains the format of the timed metadata media, which is set to ‘mebx’. The metadata sample description must contain a metadata key table atom and optionally contains a bit rate atom following the standard sample description atom header, defined below.

Other atoms may be introduced in the future. An atom containing a table of keys and mappings to payload data in the corresponding timed metadata media samples. The metadata key table atom contains a table of keys and mappings to payload data in the corresponding timed metadata media samples. The metadata key table atom contains one or more instances of metadata key atoms, one for each configuration of a key that may occur in the sample units of the track.

For example, if there are two keys, there will be two metadata key atoms in the metadata key table atom—one for each key. If the metadata key table atom does not contain a key for which a client is searching, no timed metadata media samples associated with this sample description contain values with that key. If the metadata key table atom does contain a particular key, this does not guarantee that timed metadata media samples containing a value for the key were written.

If it is possible to remove unused entries and rewrite the metadata sample description efficiently, this is preferred. If a timed metadata track includes a key in the metadata sample description but has values using the key in associated media samples, the metadata sample description can still be rewritten to eliminate the key from the metadata key table atom. While the metadata values remain in associated media samples, the data is no longer reachable because the key is now gone. Care should be exercised if the values should themselves be removed from the movie file.

Although not a requirement, the remaining but now unreachable data can be removed by copying only referenced metadata values when copying media samples to a new track. The optional bit rate atom may be present at the end of any timed metadata sample description to signal the bit rate information of a stream. The bit rate information can be used for buffer configuration. For example, if the metadata key atom has the atom type of ‘stuf’ , any atoms of type ‘stuf’ in timed metadata samples sharing this sample description hold the value for this key.

Any value fitting in a bit big endian integer can be used such as ‘stuf’ or the integer If a FourCC is used, it is recommended that the value be mnemonic if possible. See Metadata Sample Data Format below.

This indication allows the key to be marked as unused in the timed metadata sample description without requiring the sample description and parent atoms to be rewritten or resized. It is reserved for future use and can occur as an atom type in timed metadata samples. Each metadata key atom contains a variable number of atoms that define the key structure, optionally the data type for values, and optionally locale information for values.

Atoms may be introduced in the future. The metadata key declaration atom holds the key namespace and key value of that namespace for the given values. ISO” , a binary four-character code such as a ‘cprt’ user data key , a Uniform Resource Identifier URI , or other structures such as native formats from other metadata standards. New key namespaces must be registered but because a reverse-address style string can often be used, using the reverse-address key namespace may be sufficient for most uses.

See the QuickTime Metadata Keys table for examples. An array of unsigned 8-bit bytes holding the data type designation for values in timed metadata media samples having this key. The interpretation of this array is defined by the associated datatype namespace. The combination of datatype namespace and datatype array indicate the data type or structure of a metadata item value.

The datatype namespace type indicates the interpretation of the datatype array value. This specification defines two datatype namespace types:. If datatype namespace is 0, datatype array contains a big-endian bit unsigned integer corresponding to a well-known type specified in Table For example, a well-known type of 1 indicates UTF-8 text and 23 indicates a big-endian bit floating-point number. If datatype namespace is 1, datatype array contains a reverse-address style UTF-8 string indicating an extended data type.

This data type namespace type can be used if the data type does not have a corresponding well-known data type. A datatype namespace other than 0 or 1 may occur in a timed metadata track, perhaps written according to a later version of this specification. Metadata item values with unrecognized data types should be ignored.

Even so, some processing is still possible on the metadata item with unrecognized data type, such as copying it between tracks. A metadata value may optionally be tagged with its locale so that it may be chosen based upon the user’s language, country, and so on. This tagging makes it possible to include several keys of the same key type e. If the metadata locale atom is absent, metadata values should be considered appropriate for all locales. A timed metadata media sample is structured as a concatenation of one or more atoms.

Typically each atom will contain a metadata value corresponding to a key signaled in the timed metadata sample description.

If no value for a particular key is present in the timed metadata media sample at a given time, the interpretation should be that there is no metadata of that type at the specified time. Timed metadata values for that key for other times such as from a previous timed metadata media sample should not be interpreted as applying to the given time.

A zero-byte timed metadata media sample cannot be used because all sample sizes must be one or more bytes. In general, however, it is preferable to include a NULL metadata media sample data instead of using a track edit with an empty edit list to indicate the absence of metadata.

The timed metadata media sample data consists of some number of concatenated atoms. Its interpretation is based solely on what is defined in the corresponding metadata key of the associated metadata sample description. Such an atom has no prescribed contents. See Metadata Key Atom. In the future, this may be documented to hold a particular payload. A timed metadata media sample may contain atoms with types other than those defined in the metadata key table atom and other than the two reserved values 0 and 0xFFFFFFFF.

Consider the metadata format for a geographic point location using coordinates as defined in ISO Some clients using timed metadata tracks may prefer to create metadata tracks with samples that have the same size. Two approaches are described here. In one approach, the metadata written might contain a fixed number of fixed-sized metadata values for example, integers or statically sized structures.

In the second approach, the size of individual metadata values may vary. It is possible to create constant-sized metadata samples by determining a maximum timed metadata media sample size and using unreferenced atoms to add up to this size. The approach is:.

Fill in the atoms holding metadata values see the Timed Metadata Media Sample Structure example above. There is no prescribed atom type indicating a NULL metadata sample although a type of 0 is recommended, as mentioned in the Metadata Key Atom description above. Using unreferenced atoms presents a useful way to supply padding when structuring a track for constant-sized metadata sample data or when there are runs of no-metadata interspersed with runs of metadata in a given track, instead of using multiple track edits.

At any point in the timeline where a metadata value comes into scope or goes out of scope, new metadata samples should be introduced with the union of all metadata values present for the time range, replacing the existing overlapped samples for that portion of the media time range. In the new combined track, a single timed metadata sample description containing the keys A and B may be used. The union of all metadata across those tracks should be considered the metadata for the presentation track—just as if there was a single metadata track with all the corresponding metadata.

There is a potential conflict if more than one metadata value of the same type is in the metadata tracks. In this case, the layer of the metadata tracks should be used to establish which should be used. Tracks with lesser layer values that is, -1 is less than 0 take priority and their metadata values should be used.

If two tracks have the same layer value, the last track in movie track order the order of ‘trak’ atoms in the ‘moov’ atom shall override metadata values from tracks earlier in order. If part of a track would apply to a presentation track and part would apply globally, the metadata should be carried in two tracks, the first referencing the presentation track and the other not referencing any track.

Timecode media is used to store time code data in QuickTime movies. It has a media type of ‘tmcd’. The timecode sample description contains information that defines how to interpret time code media data. The timecode media handler also adds some of its own fields to the sample description. A bit integer containing flags that identify some timecode characteristics. The following flags are defined. Indicates whether the timecode is drop frame. Set it to 1 if the timecode is drop frame.

Indicates whether the timecode wraps after 24 hours. Set it to 1 if the timecode wraps. Indicates whether negative time values are allowed. Set it to 1 if the timecode supports negative values. Indicates whether the time value corresponds to a tape counter value. Set it to 1 if the timecode values are tape counter values. An 8-bit integer that contains the number of frames per second for the timecode format. If the time is a counter, this is the number of frames for each counter tick.

A user data atom containing information about the source tape. The only currently used user data list entry is the ‘name’ type. This entry contains a text item specifying the name of the source tape. The timecode media also requires a media information atom. This atom contains information governing how the timecode text is displayed.

This media information atom is stored in a base media information atom see Base Media Information Atoms for more information. The type of the timecode media information atom is ‘tcmi’. A bit integer that indicates the font to use. Set this field to 0 to use the system font. If the font name field contains a valid name, ignore this field.

Set this field to 0 for normal text. You can enable other style options by using one or more of the bit masks listed in Table A timecode media sample is recorded as a bit integer, interpreted based on the value of the Counter flag in the timecode sample description. If the Counter flag is set to 1 in the timecode sample description, the sample data is an unsigned bit integer. The timecode counter value is determined by dividing this unsigned bit integer by the number of frames field in the timecode sample description.

If the Counter flag is set to 0 in the timecode sample description, the sample data format is a signed bit integer and is used to calculate a timecode record, defined as follows. If bit is set to 1, the timecode record value is negative. An 8-bit unsigned integer that specifies the starting number of frames. Text media is used to store text data in QuickTime movies. It has a media type of ‘text’. The text sample description contains information that defines how to interpret text media data.

The text media handler also adds some of its own fields to the sample description. A bit integer containing flags that describe how the text should be drawn.

Controls text scaling. If this flag is set to 1, the text media handler reflows the text instead of scaling when the track is scaled. Controls background color. Controls text scrolling. If this flag is set to 1, the text media handler scrolls the text until the last of the text is in view. If this flag is set to 1, the text media handler scrolls the text until the last of the text is gone.

If this flag is set to 1, the text media handler scrolls the text horizontally; otherwise, it scrolls the text vertically. If this flag is set to 1, the text media handler scrolls down if scrolling vertically or backward if scrolling horizontally; note that horizontal scrolling also depends upon text justification. If this flag is set to 1, the text media handler displays new samples by scrolling out the old ones.

Controls drop shadow. If this flag is set to 1, the text media handler displays the text with a drop shadow. Controls anti-aliasing. If this flag is set to 1, the text media handler uses anti-aliasing when drawing text. If this flag is set to 1, the text media handler does not display the background color, so that the text overlay background tracks. A bit integer that indicates how the text should be aligned. Set this field to 0 for left-justified text, to 1 for centered text, and to —1 for right-justified text.

A bit rectangle that specifies an area to receive text top, left, bottom, right. Typically this field is set to all zeros. The text media also requires a text media information atom. This media information atom is stored in a base media information atom ‘minf’ in the base media information header atom ‘gmhd’ see Base Media Information Atoms.

The type of the text media information atom is ‘text’. A matrix structure associated with this text media. This should be the identity matrix. A matrix shows how to map points from one coordinate space into another. See Matrices for a discussion of how display matrices are used in QuickTime and see Figure for an illustration of a matrix structure within an atom. The format of the text data is a bit length word followed by the actual text.

The length word specifies the number of bytes of text, not including the length word itself. Following the text, there may be one or more atoms containing additional information for drawing and searching the text.

Table lists the currently defined text sample extensions. Style information for the text. Allows you to override the default style in the sample description or to define more than one style for a sample.

The data is a TextEdit style scrap. Table of font names. Each table entry contains a font number stored in a bit integer and a font name stored in a Pascal string. This atom is required if the ‘styl’ atom is present. Highlight information. The atom data consists of two bit integers. The first contains the starting offset for the highlighted text, and the second has the ending offset. A highlight sample can be in a key frame or in a differenced frame. Drop shadow offset.

When the display flags indicate drop shadow style, this atom can be used to override the default drop shadow placement. The data consists of two bit integers. The first indicates the horizontal displacement of the drop shadow, in pixels; the second, the vertical displacement. Drop shadow transparency. The data is a bit integer between 0 and indicating the degree of transparency of the drop shadow.

A value of makes the drop shadow completely opaque. Image font data. This atom contains two more atoms. An ‘idat’ atom contains compressed image data to be used to draw the text when the required fonts are not available. An ‘idsc’ atom contains a video sample description describing the format of the compressed image data. Image font highlighting.

This atom contains metric information that governs highlighting when an ‘imag’ atom is used for drawing. Hypertext is stored in a text track sample atom stream as type ‘htxt’. The same mechanism is used to store wired actions linked to text strings. A text string can be wired to act as a hypertext link when clicked or to perform any defined QuickTime wired action when clicked.

For details on wired actions, see Wired Action Grammar. The data stored is a QTAtomContainer. The root atom of hypertext in this container is a wired-text atom of type ‘wtxt’. This is the parent for all individual hypertext objects. For each hypertext item, the parent atom is of type ‘htxt’. This is the atom container atom type. Two children of this atom that define the offset of the hypertext in the text stream are:.

The children of these event atoms follow the same format as other wired events. A closed caption media track contains text data used for closed captioning in QuickTime movies. It has a media type of ‘clcp’. Closed captions are used to display the audio portions of a movie as text. They transcribe dialog and indicate other sounds. Other tracks can identify this track as being a related closed captioning track by using the ‘clcp’ track reference to refer to this track.

Like other media data tracks, a closed caption track should include a language code and an extended language tag atom. The closed captioning sample description contains information that defines how to interpret closed captioning media data. This sample description is based on the standard sample description header, as described in Sample Description Atoms , and adds no additional fields. The data format field in the sample description must be set to ‘c’ or ‘c’. A closed caption track must use only one data format.

The format of the closed captioning sample data is a sequence of one or more atoms, one of which must be a ‘cdat’ atom. Unrecognized atoms should be ignored. The durations of closed caption media samples can vary but should not be shorter than the number of byte pairs in the byte pair array. A closed caption media sample duration that is longer than the array length in video frames should treat additional durations as though null 0 byte pair bytes are received.

Note: The carriage of byte pairs for other elements of the source CEAE frame data are not described here. If supported, other atom types and their content will be documented. If a single closed caption track is included, it is recommended that the track be separate from any subtitle tracks in the movie.

However, you can also include multiple closed-caption tracks in a movie. If you do, the following rules apply:. The closed caption tracks must be part of the same alternate group. If the movie also includes subtitle tracks or non-chapter text tracks, those tracks should also be part of this group.

Subtitle media is used to store text data used for subtitles in QuickTime movies. It has a media type of ‘sbtl’. Subtitles provide written versions of audio or visual content, such as to offer alternate language translations or to supplement the content.

Subtitles differ from closed captions in that subtitles are usually a translation of the sound track into a different language rather than a transcription of the sound track in the same language. The subtitle sample description contains information that defines how to interpret subtitle media data. The data format field in the sample description is currently always set to ‘tx3g’. Unrecognized data formats should be ignored. The text media described here is based on the text box defined in the 3GPP Timed Text specification but provides a different track type and media handler designed specifically for subtitles.

A bit integer containing flags that describe how the subtitle text should be drawn. Controls vertical placement of the subtitle text. Otherwise, the subtitle displays at the bottom of the video. Indicates whether any subtitle samples contain forced atoms. If this flag is set, at least one sample contains a forced ‘frcd’ atom as described in Subtitle Sample Data. If this flag is set, the subtitle media handler treats all samples as forced subtitles, regardless of the presence or absence of a ‘frcd’ atom.

A bit rectangle that specifies an area to receive text each 16 bits indicate top, left, bottom, and right, respectively within the subtitle track. This rectangle must fill the track header dimensions exactly; that is, top is 0, left is 0, bottom is the height of the subtitle track header, and right is the width of the subtitle track header. A bit value that must be set to the same font identifier as in the font table ‘ftab’ extension. An 8-bit value that should always be 0.

For example, if the video track header is points in height, this should be 36 points. This size should be used in the default style record and in any per-sample style records. If a subtitle does not fit in the text box, the subtitle media handler may choose to shrink the font size so that the subtitle fits.

For example, this would be 0,0,0, for opaque black or ,,, for opaque white. Dark colors are not recommended, as the text could be placed onto a dark background. An atom of type ‘ftab’ that identifies the font to use to display the text. See Font Table Atom. An unsigned bit integer specifying how many fonts are described in this table. This must be 1. An unsigned bit integer that identifies the font.

This can be any number to uniquely identify this font in this table, but it must match the font number specified in the subtitle sample description and in any per-sample style records ‘styl’. Subtitle sample data consists of a bit word that specifies the length number of bytes of the subtitle text, followed by the subtitle text and then by optional sample extensions. There is no null termination for the text.

Following the subtitle text, there may be one or more atoms containing additional information for selecting and drawing the subtitle. Table lists the currently defined subtitle sample extensions. The presence of this atom indicates that the sample contains a forced subtitle. This extension has no data. Forced subtitles are shown automatically when appropriate without any interaction from the user. If any sample contains a forced subtitle, the Some Samples Are Forced 0x flag must also be set in the display flags.

Consider an example where the primary language of the content is English, but the user has chosen to listen to a French dub of the audio. If a scene in the video displays something in English that is important to the plot or the content such as a newspaper headline , a forced subtitle displays the content translated into French. If this atom is not present, the subtitle is typically simply a translation of the audio content, which a user can choose to display or hide.

Style information for the subtitle. This atom allows you to override the default style in the sample description or to define more than one style within a sample. See Subtitle Style Atom. Override of the default text box for this sample. Use Text behaviors that animate letters, words, or lines across the screen. Or apply the Overshoot behavior to easily create spring-loaded animations. You can even combine behaviors for more advanced motion animations.

Create high-quality animated backgrounds with built-in generators — each with parameters to customize the look and style of the animation. Choose from a collection of standard shapes or unique designs. All generators can be used as bump maps or textures on other objects — including 3D text. Easily create beautiful 2D and 3D titles that you can animate with drag-and-drop behaviors and intuitive text animation tools.

Create text using your favorite fonts and adjust its position, opacity, and rotation. Manipulate vector-based characters with pristine sharpness, and apply Text behaviors to add complex word and character animations easily. Motion is built on the CoreText engine, which ensures that glyphs, characters, and emoji render correctly every time. Build 3D titles from scratch, design them with easy-to-use templates, or instantly convert any existing 2D title to 3D. Customize your 3D text with over 90 Apple-designed organic and artificial materials — or create your own — and see your results instantly.

You can even choose from a variety of lighting rigs or create depth-of-field effects to give your titles an ultrarealistic look that matches the environment perfectly. Quickly animate text on or off the screen by choosing from more than behaviors including Type On, Blur Out, and Text-on-a-Path, which sets your text in motion on a trajectory that angles, bends, or twists.

You can also create unique animations by moving letters just where you want them. With text generators you can automate tasks that would take hours to complete by hand. Count up and down in sequence, change text randomly, add a timecode sequence, and more. Use Credit Rolls to set up a scroll in just a few steps — even for long lists of production credits.

Import a text file or type the credits directly into a Motion project, then use the Scroll behavior to automatically animate the speed of the credits based on your project length. Just drag and drop to assemble impressive animations, with a choice of more than filters and effects built into Motion.

Then fine-tune your work with precise controls. Use machine learning to automatically detect and track faces or objects within a clip. Attach images, particles, filters, paint strokes, or text to create stunning visual effects and motion graphics. Use realistic particle systems to create effects including smoke and sparkles — or add dazzling details to any animation. Easily add, remove, replace, reuse, and export images, characters, audio clips, and videos.

See every slide and layer where an asset is used and jump to each location instantly. You can even edit assets with third-party apps and save your changes directly to Storyline. Multimedia Support. Easily create, import, and edit video, audio, and images, without complex conversions or encoding. And use broadcast-level audio optimization for consistent volume throughout a course. SVG Support.

Import scalable vector graphics SVGs to Storyline so images stay sharp when learners zoom in and out. Convert Text to Speech. Speed up course development by converting text to speech right in Storyline For example, use the text-to-speech feature to quickly narrate a course for stakeholder review or to localize narration in different languages.

You can even choose the voice and language to make sure every word sounds right. Text-to-Speech Closed Captions. Storyline can generate closed captions that are automatically synchronized with text-to-speech narration.

Just select the closed captioning option and Storyline will do the work for you. Record or import any video, then set it to play automatically or include player controls. Use the built-in editor to crop, trim, adjust volume, or even add a watermark. Choose whether or not to compress videos in your published courses.

Accessible Video Controls. Enable all learners to interact with videos via accessible controls that match the modern player style, exceed color contrast guidelines, and communicate perfectly with screen readers. Learners can even change the playback speed, switch to full-screen mode, and use picture-in-picture mode to move videos to a floating window.

Record narration, import audio files, and convert text to speech. Use the built-in editor to fine-tune audio. And choose whether or not to compress MP3 files in your published output. Web Objects. Bring the power of the web to your course.

Quickly and easily embed web-based applications, games, videos, reference materials, and much more. Screenshot Tool. Add screenshots to your course in seconds, without ever leaving Storyline Form-Based Questions. Easily assess your learners’ progress. Choose from 20 predefined, form-based questions to build quizzes in seconds.

Freeform Questions. Turn objects on your slide into an engaging, decision-making activity, without any programming. Negative Scoring. Easily create more accurate testing by subtracting points from learners’ scores when they answer incorrectly.

Question Import. You don’t have to start every assessment from scratch. You can import questions from Excel or text files you get from a database or subject matter experts. Question Banks. Easily group and manage the questions in your course by pooling them in banks, which can be randomized or even imported into other courses for reuse. Result Slides. Add a result slide after each assessment to give learners feedback on their performance.

Choose from a gallery of result slides, including built-in templates with accessible color contrast baked right in.

Customize your result slides with optional features, such as review, retry, and print buttons. Review and Retry Only Incorrect Questions. Help learners improve their knowledge by letting them review and retry only the questions they get wrong, so they don’t have to repeat the questions they get right. Score Only Viewed Questions. Allow learners to skip quiz questions without negatively affecting their score by grading only the questions they view.

Expanded Quiz Tracking. Let Storyline keep track of every quiz in your course, then send results to your LMS for only the quiz each learner completes. Multiple Quizzes. Test learners whenever and wherever you want in your course, such as at the end of every section.

Choose to submit a combined score or a final quiz score to your learning management system LMS. Responsive Player. The new responsive player for Storyline dynamically adapts to different tablets and smartphones, providing an optimized view of your course on every device, without any manual tweaking.

It fluidly responds to different mobile screen sizes and orientations, hiding sidebar menus, eliminating browser chrome, and delivering mobile-friendly playback controls. Responsive Playback Restrictions. Control which mobile device orientations learners can use to view your course. For example, if you build a course that works best in landscape mode, restrict playback to landscape orientation on tablets and smartphones.

HTML5 Gestures. We’ve optimized the new responsive player for touch control. It supports touchscreen gestures—such as swiping, dragging, and pinch-to-zoom—in HTML5 output on tablets and smartphones. Modern Player. Give desktop and mobile learners a unified experience with a modern player style that’s consistent across all devices. Modern Player Custom Color. Brand your courses by choosing a custom background color for the modern player.

Modern Player Course Cover Photo. Make an impactful first impression. Add an image to your course start page to brand it or give learners an idea of the subject matter.

Conditional Seekbar. Use the conditional seekbar in the modern player to prevent learners from skipping ahead until they’ve completed a slide. The seekbar is locked the first time learners view the slide. After that, they can drag the seekbar back and forth. Glossary Import and Export. Create glossaries easily. Import terms and definitions from a CSV file.

Export them to a CSV file so you can reuse them in other projects. And quickly edit them in your player properties without opening a separate window—just click a term or definition and start typing. Customizable Player Settings. Easily customize features, text labels, fonts, and other settings for the player that frames your course. Previewing and Publishing. Responsive Preview. See how your course will look and behave on any device and in any orientation without leaving Storyline. Just click the device icons on the new responsive preview toolbar.

Publish to Review Publish your course to Review to test how it looks on various devices and to collect feedback from stakeholders. HTML5 Output. Publish your course with a single click to HTML5 output that works beautifully in all major browsers on desktop computers and mobile devices.

LRS Support. Custom xAPI Statements. Create advanced reporting options. Troubleshoot xAPI statements with an easy-to-use debugger.

Find out which statements fail and why. Export your results and share them with your team for analysis. Publish to cmi5. Now you can choose to publish Storyline courses to the newest LMS standard, cmi5. Tracking and Reporting. Track Multiple Completion Criteria. Give learners more than one way to complete a course. Let your LMS mark the course complete as soon as learners view a certain number of slides, finish a quiz, or reach a completion trigger.

 

Play an Image Sequence in Unreal Engine | Unreal Engine Documentation – exclusive content

 
Motion lets you add 3D models to your projects. from a collection of ready-made 3D objects in the Motion Library or you can import 3D models in the USDZ. In Motion, you create 2D or 3D motion graphics and compositing projects with imported images (such as Adobe Photoshop or Illustrator files), image sequences.